The Wellington Chamber Orchestra is looking forward to playing for you on 13 December in its final concert of a very strange year. We are delighted to welcome back Andrew Atkins as both guest conductor and soloist. The concert comprises three exciting works: Verdi‘s overture to La Forza del Destino, César Franck‘s stunning symphony in D minor, and Beethoven‘s finest piano concerto, the Emperor, with Andrew at the piano. We look forward to seeing you at St Andrew’s on The Terrace, 3pm, Sunday 13 December.
The Wellington Chamber orchestra is delighted to announce that we will be back in formal rehearsals for our Term 3 concert on Tuesday 21 July as scheduled.
The Term 3 concert will be on September 20 at 3pm (please note the new start time).
Luka Venter conducts the orchestra in a programme featuring four works:
Schütz — Symphonia (mid 17th century)
Haydn — London Symphony (Symphony No. 104 in D major, 1795)
Brahms — St Anthony Variations (Variations on a Theme by Hadyn, Op. 56a, 1873)
Schumann – Symphony no 2 in C major (Op. 61, 1847)
It is with great sadness that the WCO has cancelled its Term 1 concert. This was a unanimous decision made at the 17 March rehearsal by the assembled players, conductor Rachel Hyde and soloist Helene Pohl, after considering a range of issues raised by those present. Despite our sadness at having to make this decision, the orchestra had a most enjoyable evening in which we recorded a full performance of the Mendelssohn Violin Concerto, played with total concentration and Helene in wonderful form (and in a stunning evening dress to reflect the significance of the occasion). We ended the evening with a run through of movements II and IV of Shostakovich 5. We plan to programme this concert in 2021, all things being well.
Anyone who has already booked tickets through Eventfinda will be refunded.
Kia kaha. Kia ora.
We are delighted to announce our 2020 concert season. All concerts are 3:00 p.m. at St Andrew’s on The Terrace, Wellington.
Details on our 2020 Season page.
Our final concert is on Sunday 13 December 2020, featuring Andrew Atkins as conductor and soloist in Beethoven’s Emperor Concert alongside Franck’s symphony and a Verdi overture.
Tickets are $20 per concert, $15 for concessions, free to secondary school students and younger. We offer a season ticket for $60. All tickets are available from Eventfinda.
We are delighted to welcome our guest soloist, Ana Šinkovec Burstin, to play Grieg’s magnificent Piano Concerto. This is Grieg’s most powerful composition. Liszt championed the work in the years following its composition and is largely responsible for this being one of the most widely played and well known of the piano concertos.
Born in Ljubljana, Slovenia, Ana Šinkovec Burstin is an international prize-winning pianist. She is the holder of Masters degrees from conservatoires in Ljubljana, Brussels, Bergamo and Paris. She has won prizes in Germany, France, Slovenia and Italy, including First Prize at the Nikolai Rubinstein International Piano Competition in Paris, and the Lindau Prize in Germany.
Our conductor, Sam Burstin, combines the Grieg with works by two other Scandinavian composers. Nielsen’s Helios Overture follows the path of the sun from sunrise to sunset. Sibelius’ sublime fifth symphony is similar in character to the Nielsen, its finale bringing the concert to a wonderful conclusion.
Tickets (full price $20, concessions $15, secondary students and younger free) available on the door or in advance from Eventfinda.
Our September 2019 concert was a triumph for the Orchestra. Our guest conductor, Michael Vinten, had created a beautiful orchestration of Mahler’s Piano Quartet. The Orchestra was delighted to perform the premiere and the audience greatly appreciated the orchestration and WCO’s rendition. You can read a full review on Middle C’s website.
The Piano Quartet, alongside Beethoven’s Fidelio Overture, comprised the first half of the concert. But these two works occupied less than half of our rehearsal time this term. Our big challenge was Bruckner’s third symphony: over an hour of romantic music, with many tricky corners. A great deal of personal practice from everyone led to a well-polished final performance. Both Michael and the players are justifiably proud of how well WCO rose to the challenge. The performance was a resounding success.
We look forward to our December concert of Scandinavian composers, with international prize-winning pianist Ana Šinkovec Burstin playing Grieg’s magnificent Piano Concerto. The concert, on 8 December 2019, also features Nielsen’s Helios Overture and Sibelius’ fifth symphony. We will be conducted by NZSO’s Acting Principal Violist, Sam Burstin.
Michael Vinten conducts the Orchestra in the third of its 2019 season concerts.
– Fidelio Overture
Mahler – Piano Quartet – arranged for orchestra by Michael Vinten
Bruckner – Symphony No. 3 “The Wagner” – 1873 version
This term’s pieces are related by revision and rewriting.
Beethoven’s Overture to Fidelio is the fourth overture that Beethoven wrote for his only opera, Fidelio. The other three are known as the Leonora overtures, after the original 1804 name of the opera. The Fidelio overture was written for the 1814 revival of the opera.
Mahler’s Piano Quartet in Am is a single movement piece, thought to have been intended as the first movement of a never-finished chamber work. Michael Vinten has orchestrated the movement for full chamber orchestra.
Bruckner‘s Symphony No. 3 in Dm, WAB 103, was dedicated to Richard Wagner. It is the most heavily revised symphony that Bruckner wrote. There are three substantially different versions of the symphony. The original version was written in 1873, the second version in 1877 and the third in 1889. WCO is playing the 1874 revision of the original, 1873, version, in which Bruckner made improvements to the texture and orchestration while keeping the overall length and structure the same. This version contains many quotes from Wagner’s work, which were removed in the later versions.
Tickets available in advance from Eventfinda or on the door.
Sunday 30 June, Ken Young, from the New Zealand School of Music, conducted the orchestra in a brilliant performance of four romantic works. The Tasman Trio played Beethoven’s Triple Concerto brilliantly. The reviewer from Middle C found Delius’s The Walk to the Paradise Garden the highlight of the concert.
We are delighted to have Ken Young as our conductor this term. Ken has selected a programme of music by Romantic composers, including Beethoven’s Triple Concerto, which will be performed by the Tasman Trio.
Ken Young is one of New Zealand’s leading conductors and composers. Following 25 years in the ranks of the New Zealand Symphony Orchestra, he resigned in 2001 to pursue a free lance career. He works regularly with the NZSO, Royal New Zealand Ballet, and all the regional orchestras of New Zealand. He has conducted the Queensland Orchestra, the West Australian Symphony Orchestra, Adelaide Symphony Orchestra, Tasmanian Symphony Orchestra, Orchestra Victoria, the City of Osaka Sinfonia, and the BBC Scottish Symphony Orchestra. He has received considerable praise for his recordings of New Zealand and Australian music
In addition to his work as a performer and a conductor, Ken is one of New Zealand’s leading composers. His works have been performed nationwide and also in the United States, Europe and Australia. Since 1988 he has been a member of the faculty at Te Kōkī New Zealand School of Music, Victoria University of Wellington, where he lectures in conducting and orchestration. In 2004 he was awarded the Lilburn Trust Citation in Recognition of Outstanding Services to New Zealand Music.
Tickets available in advance from eventfinda or on the door.
This term we feature, as soloists, two of the exceptional musicians of the New Zealand String Quartet. Formed in 1987, the Quartet has established an international reputation for its insightful interpretations, compelling communication, and dynamic performing style. The Quartet performs over eighty concerts to popular and critical acclaim each year.
Monique Lapins (violin) studied at the Australian National Academy of Music and at the Yong Siew Toh Conservatory of Music in Singapore. She has twice been a finalist in the Asia Pacific Chamber Music Competition and has participated in chamber music programmes and festivals in Europe, Asia and Australia.
Gillian Ansell (viola) studied at the Royal College of Music in London and at the Musikhochschule in Cologne. She worked as a professional player in London before becoming a founder member of the New Zealand String Quartet in 1987. She was second violinist for two years before taking up the position of violist with the group. In 2001 she became Artistic Director, with NZSQ first violinist Helene Pohl, of the Adam Chamber Music Festival. Her services to music in New Zealand have been recognised with the MNZM honour.
Rachel Hyde returns as guest conductor with a carefully chosen programme that includes Brahms first symphony and Mendelssohn’s Ruy Blas Overture alongside Mozart’s sublime Sinfonia Concertante. Rachel first picked up a baton at age 15, went on to be Musical Director of two orchestras in the UK, and guest conductor for two more. She moved to New Zealand in 2003 to become Artistic Planning Manager for the NZSO. Today she works in government and is a regular guest conductor for both WCO and the Kapiti Chamber Orchestra.
Tickets available in advance from eventfinda ($20 full price, $15 concession, $60 season ticket) or cash sales on the door.