22 September 2019

Michael Vinten conducts the Orchestra in the third of its 2019 season concerts.

Beethoven
 – Fidelio Overture
Mahler
 – Piano Quartet
 – arranged for orchestra
 by Michael Vinten
Bruckner
 – Symphony No. 3
 “The Wagner” – 1873 version

This term’s pieces are related by revision and rewriting.

Beethoven’s Overture to Fidelio is the fourth overture that Beethoven wrote for his only opera, Fidelio. The other three are known as the Leonora overtures, after the original 1804 name of the opera. The Fidelio overture was written for the 1814 revival of the opera.

Mahler’s Piano Quartet in Am is a single movement piece, thought to have been intended as the first movement of a never-finished chamber work. Michael Vinten has orchestrated the movement for full chamber orchestra.

Bruckner‘s Symphony No. 3 in Dm, WAB 103, was dedicated to Richard Wagner. It is the most heavily revised symphony that Bruckner wrote. There are three substantially different versions of the symphony. The original version was written in 1873, the second version in 1877 and the third in 1889. WCO is playing the 1874 revision of the original, 1873, version, in which Bruckner made improvements to the texture and orchestration while keeping the overall length and structure the same. This version contains many quotes from Wagner’s work, which were removed in the later versions.

Tickets available in advance from Eventfinda or on the door.

Sunday 30 June 2019

We are delighted to have Ken Young as our conductor this term. Ken has selected a programme of music by Romantic composers, including Beethoven’s Triple Concerto, which will be performed by the Tasman Trio.

Ken Young is one of New Zealand’s leading conductors and composers. Following 25 years in the ranks of the New Zealand Symphony Orchestra, he resigned in 2001 to pursue a free lance career. He works regularly with the NZSO, Royal New Zealand Ballet, and all the regional orchestras of New Zealand. He has conducted the Queensland Orchestra, the West Australian Symphony Orchestra, Adelaide Symphony Orchestra, Tasmanian Symphony Orchestra, Orchestra Victoria, the City of Osaka Sinfonia, and the BBC Scottish Symphony Orchestra. He has received considerable praise for his recordings of New Zealand and Australian music

In addition to his work as a performer and a conductor, Ken is one of New Zealand’s leading composers. His works have been performed nationwide and also in the United States, Europe and Australia. Since 1988 he has been a member of the faculty at Te Kōkī New Zealand School of Music, Victoria University of Wellington, where he lectures in conducting and orchestration. In 2004 he was awarded the Lilburn Trust Citation in Recognition of Outstanding Services to New Zealand Music.

Tickets available in advance from eventfinda or on the door.

Sunday 7 April 2019 concert

This term we feature, as soloists, two of the exceptional musicians of the New Zealand String Quartet. Formed in 1987, the Quartet has established an international reputation for its insightful interpretations, compelling communication, and dynamic performing style. The Quartet performs over eighty concerts to popular and critical acclaim each year.

Monique Lapins (violin) studied at the Australian National Academy of Music and at the Yong Siew Toh Conservatory of Music in Singapore. She has twice been a finalist in the Asia Pacific Chamber Music Competition and has participated in chamber music programmes and festivals in Europe, Asia and Australia.

Gillian Ansell (viola) studied at the Royal College of Music in London and at the Musikhochschule in Cologne. She worked as a professional player in London before becoming a founder member of the New Zealand String Quartet in 1987. She was second violinist for two years before taking up the position of violist with the group. In 2001 she became Artistic Director, with NZSQ first violinist Helene Pohl, of the Adam Chamber Music Festival. Her services to music in New Zealand have been recognised with the MNZM honour.

Rachel Hyde returns as guest conductor with a carefully chosen programme that includes Brahms first symphony and Mendelssohn’s Ruy Blas Overture alongside Mozart’s sublime Sinfonia Concertante. Rachel first picked up a baton at age 15, went on to be Musical Director of two orchestras in the UK, and guest conductor for two more. She moved to New Zealand in 2003 to become Artistic Planning Manager for the NZSO. Today she works in government and is a regular guest conductor for both WCO and the Kapiti Chamber Orchestra.

Tickets available in advance from eventfinda ($20 full price, $15 concession, $60 season ticket) or cash sales on the door.